NYC meet up – Saturday, June 8, 2013

OK, so I’ve emailed a few people in NYC and some are up for a meet up on Saturday, June 8. As no one has offered any suggestions of where and what, here’s my starter for 10, blatantly plagerizing Peter Lappin’s ever popular MPB Day! (Sadly I’m never in NYC in August to attend this annual event. NYC at the height of Summer just seem too hot to visit!)

Meeting Point for Earlish Birds:

11am – 12:30pm at Fashion Institute of Technology

  • Museum at FIT: RetroSpective exhibition (7th Ave & 27th St).
  • Fashion Design Books (250 W 27th St) – I can’t resist bookstores with fashion design books. I’ve been to this one before. There are also some supplies.
  • FIT Bookstore (David Dubinsky Student Center, basement, 8th Ave & 28 St) – I took some night classes at FIT long time ago, but could never find the school bookstore again when I visit since moving to the UK. Might have some interesting supplies as well as fashion design books. Not sure if it’s open to the public or students only, but worth a try.

Not sure if everyone want to check out the bookstores. So let’s say meet up at the Museum from 11am onward. Those of us who want to go to the bookstores then do that and return to the Museum at 12:30 to meet up with those who don’t or arrive a bit later. We’ll then make our way up to the Garment District & meet other late comers there…

Meeting Point for Late Comers:

1pm – 2pm

Place for lunch, chat, and meeting those who want a Saturday lie-in. I’ve always loved Bryant Park. Such lovely urban oasis from the bustle of the surrounding streets. And Kinokyniya Japanese Bookstore’s good for checking out kooky Japanese fashion, maybe some Japanese pattern books. I’m hoping they’d have those delicate Japanese Western cakes in the 2nd floor cafe. One time I visited, there were a bunch of Cosplay kids. And they’re not even Japanese! Awesome.

Afternoon shopping in the Garment District:

2pm – 5pm ?

I have a whole list of possibilities. So I’m not sure how to organize this. Maybe split up into “high end,” “mid-level,”and “dumpster” groups like Peter does it? Here are the candidates. If you’re coming, maybe you can vote and let me know which you’re interested? You can choose multiples…

And if anyone still standing after that…

Maybe a final cuppa or even a cocktail to compare shopping bags, say around 5pm? Suggestions for re-grouping point? I’ve run out of ideas!

RSVP

Please leave a comment below or contact me via the form below so I can get an idea of numbers. Thanks!

Ever the Wearable Muslin: aka Burdastyle 2013-02-113

OK, last one in my current batch of 3 to write up.

This one started out as Muslin no. 2 for my Burda 2012-09-123, aka T-Shirt Block. It was a wearable muslin, but with a not very flattering over-stuffed sausage look. So as planned, I cut a new front with more drape, and reused the back and sleeves. Plus old front became the facings.

The Pattern

Burdastyle 2013-02-113

bs-2013-02-113 bs-2013-02-113_tech

Cool photo. I was seduced. And the back & sleeve again look basic enough to re-purpose my wearable muslin. The front drape I thought would work much better for this thin and drapy fabric.

Style Shots & Mug Shots

5-style-14-mug-1F 4-mug-4SR 4-mug-3B   5-style-5 5-style-4

Fabric & Notions Used

Size Used

Another one graded down to a size 34, ignoring standard instruction for a 38.

Changes Made

Fitting changes

I’m still experimenting with pattern-to-Block comparison as a quicker way to make fitting changes. So don’t quote me on what I’m doing – I’m fumbling. So far it hasn’t worked out too badly for me yet. But it’s early days. And there are probably better, more logical ways to do this that I have yet to discover.

OK, let’s start with the back since it’s much more straight forward. Sort of.

2-alt-1 2-alt-2 2-alt-3
  1. I took the easiest way out, the least change option by aligning the pattern & Block at the underarm level. The above waist side seam then almost match exactly. So all I had to do was to trace the new shoulder seam and lower part of the armscye.
  2. I then moved the pattern up until the below waist side seam almost match exactly & make a note of how much I had to move up.
  3. That amount is then overlapped at the waist line.

Next the front. Not so easy. In fact it’s all a blur. I’d call it Black Magic, except the result wasn’t exactly magical. This is what I can piece together afterward.

2-alt-72-alt-82-alt-92-alt-10
  1. I start with the easy part – the front facing. Again aligning at underarm level and CF. In this case size 36 came closer in width. So I use that as guide & marked out new shoulder seam & side seam.
  2. I think for the actual front I just overlapped the same length at the waist level as on the back.Smoothed the side seam at the waist. Then matched the front & back side seam from the hem up & marked the waist level on the front.
  3. Next compared the front side seam from waist level up against the Block, grading out to size 36 at the underarm level so the CF would align & the front wide enough at bust.
  4. Finally, pivot & slide on the underarm point so the armscye align again with the original pattern & CF is still aligned (wide enough). Marked the new shoulder seam and called it done!
Design changes
  • 2-alt-13I extended the CF drape’s cut on facing a bit because the short stub I see on other people’s versions looks a bit untidy to me.
  • I extended the facing length as well, originally intending to try adding a built-in shelf-bra that I see in a few of my Victoria’s Secret t-shirts / dresses.
    3-sew-exp2-6The shelf-bra didn’t work out because my fabric was too thin, so every bump shows. In retrospect I should have extended the facing all the way down to the waist where the extra drape in the front means a looser fit, so bumps less likely to show through.

Verdict on the Instruction

Appalling. I did read the instruction because of the more complicated design details. And I did eventually made sense of it. But I’d highly recommend you check out these blogs for photo-illustrated instruction: netcheria.over-blog.com (in French), The Couture Academic, SMF Designs & Friends.

Again, I deviated in places to suit my experiments. So here’s what I did:

  1. Front details prepared per instruction.
  2. I chose not to interface the entire facing. In stead, I stabilized only the shoulder & neckline with Vilene Bias Tape. Sewed shoulder seam. Overlocked hems.
  3. Sewed facing to bodice at neckline per instruction. Almost. See Oops & Improvement A below…
  4. Finish off the front drape per instruction. Almost. See Oops & Improvement B & C below.
  5. Sewed sleeves to bodice with facing handled like underlining.
  6. Sewed sleeves & side seams with facing handled like underlining. See Oops & Improvement D below.
  7. Finished sleeve & bodice hem with stretch seam.
Oops & Improvements
  1. 3-sew-exp2-5I made a boo-boo during cutting and end up with a gash right by the neckline in the shoulder area. As the front takes up a bit of fabric, and I’m still not 100% sold on this color, I decided not to recut a new front. Instead I tried patching the gash with a bit of iron-on interfacing on the wrong side, and top-stitching along the neckline for reinforcement. It’s good enough for yet another “Wearable Muslin”!
  2. 3-sew-exp1 Some of the Pattern Reviewers mentioned that the heavy drape has a tendency to pull the facing to the outside. So I  top-stitch the front bust seam to the facing to prevent the facing from shifting – see photo showing the stitching from the facing side. I think the extended facing and drape fold-over bit also help. I don’t have the same facing flopping out problem in my finished top.
  3. What didn’t work out so well is my attempt to control the hang of the drape.  I wanted the drape to be more dramatic. So I tried stitched down pleats instead of gathering at the fold-line.
    3-sew-exp2-1 3-sew-exp2-2 3-sew-exp2-3
    But the stitching was too visible in the finished result. Plus the way I overlocked the end and folded over the neckline meant the drape wasn’t hanging smoothly. So I had to unpick the pleat stitching. But I did learn from the process that irregular pleats – just bunching things up – gives me a nicer, more natural looking drape than regular pleating or gathering. In fact, I wish I had done the same with the bust gathering. Standard gathering just produce an unflattering big puffy mono-boob look.
  4. 3-sew-exp2-4The shelf-bra Oops. Well, this might not have been an Oops if I had used a more substantial fabric. The shelf bra idea is basically facing that goes down to your underbust with elastic sewn to the bottom edge so it forms a nice extra support for your girls. I had to take the elastic out. But the longer facing that’s sewn into the armscye and side seam does help support or counter-act the weight of the front drape nicely.

Would I sew it again / Would I recommend it to others

After all that I have to say I’m a bit Meh with the result. It’s partly the color. That one styling shown above was about the only combination that I could come up with. Nothing else in my wardrobe want to play nicely with this color and shape.

The mono-boob look also is a bit disturbing. Fine on younger, flatter busts. No so fine on my short-waisted torso with “maturing” girls. Maybe irregular pleats instead of gathering would help. Maybe a lower, deeper V-neckline might also deflate the melons a bit.

So learn from my mistakes. And if you are a perennial jean wearer by all means go for this. There are definitely other makes of this pattern out there that look really flattering on their owners.

In the meanwhile I’ll be wearing this around the house as one of my growing pile of slob-out wearable muslins!

Now back into the rabbit hole for my next batch. I think I should give myself a break from complicated pattern fitting puzzles and whip up a batch of easy T-shirts now that I have a TNT T-shirt Block. What do you think?

Franken-patterned Burda 013-02-121

inspiration-jigsaw-sweaterNext on my write up list is this attempt to recreate a beloved but shrunken sweater with a 60ish vibe. It  always reminded me of this scene from Breakfast at Tiffany’s. And who can resist anything from that film right?

0-inspiration-bat-2

Knitting would have taken too long and require skills that I don’t have. So sewing with a sweater knit fabric it is then.

The Pattern

I went through my growing collection of patterns and of course nothing match exactly. So I had to resort to Franken-patterning. This one from Burda comes closest to what I want…

Burdastyle 013-02-121 Flared Tunic

1-bs-2013-02-121_photobs-2013-02-121_tech-mod => goal-sweater-knit ?

 Style Shots & Mug Shots

4-style2-10 4-style2-14-style2-4  4-style1-4 4-style1-3  3-mug1-1F 3-mug1-3B3-mug1-4SR

Fabric & Notions Used

Size Used

I graded down to a size 34, ignoring standard instruction for a 38.

Changes Made

Fitting changes

You’d thought a loose-fitting garment would be easy to fit. But I actually find it harder. All my reference points – the darts, the bust point, etc – all gone. Where do you begin? (And anyone who thinks a sack is a good idea should read fit for a queen‘s recent “Let’s Be Honest” blog post.)

So I tried a variety of things. And of course the project end up taking longer than it should.

First was comparing it to my WIP woven sloper. No idea how to align the sloper against the pattern. It doesn’t help that Burda never has bust point indicated on the pattern. In the end I tried aligning the underarm levels and roughly check the widths to ensure they’re at least as wide as my almost easeless sloper.

As insurance, I tried tissue fitting too and ended up with this:

2-pattern-alt-1a 2-pattern-alt-1b
…which seemed alright. It has some ease, but it wasn’t like a tent or anything.

2-fit3So I started sewing it up. But when I tried it on after basting the sleeve & side seam, I decided it was a bit too loose for the design I wanted, and the shoulder point was neither here nor there, so over all a bit frumpy.

I decided to take it in from shoulder point through the armscye and down the side seam. And also shorten it a bit in both bodice and sleeves.

But oops, I forgot that with the shoulder seam shortened, the sleeves will be shorter too. So in the end I had to sew back in a fake cuff to make up for my over-zealous shortening.

Here’s the final pattern with the final seam lines in light blue.

2-pattern-alt-2a 2-pattern-alt-2b

I won’t go into the usual tedious details of all my changes. The only one really worth pointing out is how massively wide the original sleeve was. I must have taken in at least 2″ with the vertical tucks.

Design changes

Apart from shortening and making it slightly more fitted at the bust, the key design changes are obviously…

  • Changed sleeves to standard narrowed sleeves.
  • Adding the cowl / giant turtle-neck collar. This is simply a rectangle the width of my head circumference and about 9″ in height + seam allowances. The finished height is 4-1/2″ double-layered.

Verdict on the Instruction

Again instruction ignored because of my design changes. If I didn’t have to make fitting changes half-way through this would have been sewn up in no time. I was terrified of the fabric because I’ve never sewn a sweater knit. But it was in fact a dream to sew with. For this one I used only Bernie the serger and finished the hemming by hand.

Here’s how I constructed this one:

  1. Overlocked shoulder seams with clear elastic stabilizer, collar CB seam, sleeves and bodice hem edges. Shoulder SA finger-press towards the back.
  2. Overlocked collar to neckline in the round, collar CB seam matching bodice CB. SA finger-pressed downward & hand back-stitched in place. (Could have machine top-stitched in place instead.)
  3. Overlocked sleeves to bodice armscye. Finger-pressed SA towards bodice.
  4. Overlocked sleeve and side seams. Finger-pressed SA towards back.
  5. Catch-stitch sleeve & bodice hems.

And there you go!

Except for my cuff extension of course. As it was a fix for a boo-boo, there’s no point going into how I did it. The result isn’t bad, but given the choice I’d left it as regular hem.

Would I sew it again / Would I recommend it to others

Hell Yeah. Especially if I find another lovely sweater knit in that weird shade of grayish white like the original sweater I shrunken. This one is a keeper.

And I think I will also try the pattern as originally designed – a tunic with front slit and hem slits and border and all!

Meet up in NYC?

London Meet up Spring 2013 organised by House of Pinheiro

…which I missed :-(     (Photo Credit: Houser of Pinheiro)

I’m totally gutted that I missed last last Saturday’s London Sewist Massive Meet-Up. Judging by Did You Make That and the Sewing Princess‘ blogs, it was a total blast. My biggest mistake it seems was not being subscribed to the organiser’s blog (House of Pinheiro) yet. (Thanks Google, for making it difficult to keep on top of my blog subscriptions with your threat of impending Google Reader retirement.)

That and having a doctor’s appointment booked for the day. Bummer.

With that in mind, I’m posting advanced notice that I will be visiting NYC June 6-11 (Thursday – Tuesday). Anyone free to meet up for sewing chat, fabric shopping, gossip, whatever? Email me at piackdy(at)gmail(dot)com if you’re up for meeting up! (Sorry for the inconvenient email address format – trying to keep spambots at bay.)

Cheers!
Pia

Pattern mug shots

mugshot-bg-2If you’ve read my pattern reviews before you’d know I’m big on mug shots. I wish everyone post them. I find them really useful when deciding to go for a pattern or not.

I’m very glad Vogue & Butterick seem to have started showing mug shots for their new patterns – at least on their websites if not the pattern envelope. Now they just need to get the model’s hair out of the way, and maybe choose plain fabric in colors that would really show up the style lines! But it’s a step in the right direction in my book.

Doesn’t entirely replace the pattern review communities like Pattern Reviews, Burdastyle, or sewing blogs of course. Fit models are still models with unrepresentative body shapes. Seeing examples of a design on different people really brings the pattern to life. And frequently you get great ideas from their different creative interpretations of the same pattern. But it’s good to see pattern companies taking note of online trends.

What about you? What would cinch the deal for you when it comes to pattern selection? (For a project that is. I know I’m not the only one to collect patterns just because I can!)

Heavenly Burda 2012-09-123 wrap up!

Finally! The write up about my Dolce & Gabbana inspired embellished Burdastyle 2012-09-123 T-shirt. I was debating whether to hold off until I make a matching gold A-line skirt to do style shots with. But that’ll take too long and I’ll have forgotten all my construction details. So here goes…

The Pattern

Burdastyle 2012-09-123 T-shirt

1-bs-2012-09-123_photobs-2012-09-123_tech

I chose this because I wanted a T-Shirt sloper from Burda to gauge the fit of Burda knit tops. This one is perfect because if you join the front yoke to the front bodice, it’s a very basic T-shirt. The neckline is high enough to be jewel neckline that you’d expect of a sloper. The style is fitted enough. The fitted long sleeve again makes it a good baseline to gauge design variation.

The only thing I’m not sure about is the ease in the sleeve cap. Is that really necessary in a T-shirt made from stretchy material?

The Embellishment Inspiration

Dolce & Gabbana’s Fall / Winter 2013 Byzantine Princess collection

Photo credit: Style.com

Style Shots & Mug Shots

4-bs201209123-style1-54-bs201209123-style1-2
Worn here with my Bird & Blossom Taffeta Skirt.
3-mug2-1F 3-mug2-4SR 3-mug2-3B2

4-bs201209123-style2-1 4-bs201209123-style2-9

4-bs201209123-style2-15

4-bs201209123-style2-19 4-bs201209123-style3-1

4-bs201209123-style4-3 4-bs201209123-style4-5

4-bs201209123-style5-1

This last one is with fabric for the matching gold A-line skirt
that I hope to make some day soon!

Fabric & Notions Used

Size Used

Size 34. Going by sizing chart instruction I would be a 38. Going by FFRP‘s instruction (chest/high-bust used as bust & choosing smaller size when in between) I’d be a 34.

Changes Made

1-pattern-alt
Fitting changes = T-Shirt Block
  • Removed 3/4″ from front & back shoulder seam. (1/4″ of the front amount was done at the front yoke seam to preserve neckline curve. The armscye curve no longer match the original, but matches the curve adjustment below quite well.)
  • Sloping Shoulder Adjustment: removed additional 3/8″ from front & 3/4″ from back shoulders at armscye end. Lowered armscye 1/2″.
  • Wide Shoulder Adjustment: extended shoulder by 1/8″
  • Protruding Shoulder Blade /Rounded Upper Back Adjustments: extended back shoulder additional 1/4″. But in retrospect I think I’ve overdone these. The difference between front & back was a whopping 3/4″. Even with the stretchiness of the fabric, I got a little bit of puckering in the back shoulder. Oops.
  • Narrow Back Adjustment: removed 3/8″-1/2″ from back side seam.
  • Wide Arm Joint Adjustment: scooped out a bit from lower part of armscyes – 3/8″ front, 1/2″ back. Extended side seams at underarm out by 1/4″. (So back underarm end up with a net change of -1/8″.)
  • Adjusted side seam curve for shorter torso – curve back out to hip higher up than in original pattern. (This was basically copied from my previous Cowl-Neck T-Shirt Block based on McCall 6078.)
  • Lowered neckline at center back 3/8″.
  • Thin Arm Adjustment: removing 5/8″ from both sides, but tapered to 3/8″ at underarm to match Wide Arm Joint Adjustment on bodice.
  • Reduced the cap height by 1/2″ & adjusted the armscye curve. This pretty much removed all of the extra ease in the sleeve cap that I was complaining about further up.
  • Shortened the sleeve by 1″.
Design changes
  • Redrew the front yoke seam line so that it’s more slanted. I’ve removed quite a bit from the front shoulder, so I was a bit worried that a short almost horizontal yoke might emphasize my relatively broad shoulder.
  • Lowered the neckline 1/2″ all around.
  • Shorten hem 2-1/8″ in the back &  2-5/8 in the front for a more flattering & versatile length between high hip and full hip.
  • Replaced original facing & back neck opening with stretchy self-fabric tape facing – I want to say bias tape, but for most knit the stretchiest grain would be crossgrain rather than bias.
  • I used the two sides of the same fabric for the contrasting pieces, and matched the sleeves to the front yokes for a pseudo-raglan look on the front.

Verdict on the Instruction

I didn’t really follow the instruction as I’ve made a few changes. Plus I wanted to work out a more efficient way to sew up a T-shirt and try out some of the techniques mentioned in my Singer Sewing with Knits book.

Here’s how I constructed this one:

  • Before I start, I spray starched and ironed the fabric edges because this one LOOOOOOOOVEs to curl. I also spray starched the edges of the pieces after tracing out the patterns.
  • Next I embellished with fabric paint on the uncut pieces. Embellishment details in my earlier post.
  1. Sewing-wise, I started with the front yoke like in the pattern instruction, but pressed the seam allowance down (to de-emphasize a broad shoulder). I also sewed one shoulder seam at the same time (stablized with clear elastic & pressed towards the back), and overlocked the bodice and sleeves hem edges.
  2. Next is attaching neck tape facing to the neckline. Because the neckline hasn’t been sewn closed at the other shoulder seam, this is essentially a straight line rather than a circle.  So the short ends of the facing are lined up with either ends of the straight line – ie at front and back neck edges of the other shoulder seam. Facing is then understitched – seam allowance pressed towards facing, edge stitching on the facing close to neckline seam.
  3. The other shoulder seam is then stitched along with the short edges of the facing – effectively an extension of the shoulder seam on the neck side. The facing is then turned under twice – like typical hems – and stitched in place from the right side of the bodice.
  4. Sleeves are attached to the bodice next.
  5. Then sleeve and side seams as one continuous seam line.
  6. Finally sleeve and bodice hemming.

The usual Walking Foot and stretch stitch on sewing machine advice applies. This time I tried to do as much on Bernie the serger as possible as Saffy the sewing machine was still unwell at the time.

My serger skill is still a bit dodgy. I tried step 1 without pins or basting and the ends didn’t line up. Urgh. Thankfully I discovered how easy it is to unpick the 3-thread overlock seam. Hmmm, should I be worried about the strength of these seams? Anyway, I ended up hand-basting most seams. It was still quicker than unpicking seams multiple times. Hopefully with more practice my serging skill will pass Great British Sewing Bee judging standards! LOL

Would I sew it again / Would I recommend it to others

You bet! Or at least the T-Shirt block I derived from it. Every girl needs a TNT  T-Shirt pattern. This will be mine.

And I’m just drooling over the possible design variations this opens up!

I love how this T-shirt turned out. The neutral color goes well with so many other garments. And the shinier pseudo raglan sleeves reminds me of a suit of armor. Together with the Byzantine icon on the front and wings on the back it makes me feel like a foot soldier angel in God’s Army!

If you missed the previous posts, here’s the full thread of on my Burda 2012-09-123 adventure.

The long & short of Great British Sewing Bee

Yes! I finished 2 garments. Though not in the amount of time the poor contestants of Great British Sewing Bee would have been allotted. You’ll have to wait a few more days to get the write ups, as I squandered the first Spring like day we had in London out in the sun.

For now let’s talk about GBSB. Because like all other self-respecting home sewists in the UK, I’ve been obsessing about GBSB, Googling every hour for more tidbits. And what controversy it’s kicking up in the sewing blogsphere!

Camp Ann/Sandra or Camp Tilly/Mark? Well, I’m not going to get into that debate because I would have kept them all in. Let’s not forget Michelle and Jane. I loved Michelle’s blouse customization and day dress ideas. I forgive her for the imperfect delivery. Let those without (similar) sins cast the first stone! And Jane and her funky ideas. What was her illness? Did she got sick of the silly rules of the game? After all, part of the fun of sewing at home is the chance to express yourself. And no, I haven’t forgotten Lauren – love your pockets in episode 2 – or Stuart – good on you for getting out of your comfort zone and taking on skirts and all manners of ladies wear.

Credit: Tilly & the Buttons

I have to agree with Chanel No. 6 that the format favors more traditional home sewers with decades of experience rather than the newer crops of self-expression sewers. You know, the type who might not have been taught sewing as a family tradition, but found voice in learning to sew. Which is a real shame. Question is, apart from the ridiculous time constraints, were the judges partly responsible for this bias?

The Judges


Obligatory Man-Candy Shot. Credit: Did You Make That!

The judges! I’ll leave the oohing and ahhing over the eye candy that is Mr Grant to the growing legion of swooning fans. What interests me is what he brings to the judging table. I was a bit confused when he started talking about his sewing experience. He didn’t sound like a Savile Row tailor to me. So what qualifies him to be a judge of a sewing show (apart from being an eye candy to appease the lady and gay sewists)?

It wasn’t until a comment on Chanel No. 6 blog that I appreciated what he might bring. Someone had speculated that he of Savile Row would be the force of conservatism and precision sewing booting out Tilly and Mark. But he rooted for Tilly. And re-watching the shows again, his comments betray a different sensitivity. Appreciation for quality sewing yes, but also for good design – “understanding of materials, shapes, and fit that goes into the making of beautiful clothing”. That’s the sentiment of a designer. And in fact, if you Google the man a bit, he seems to be a designer & entrepreneur who brought an ailing Savile Row shop into the 21st century. (And a photo of him in UK Instyle this month shows him in a much less conservative outfit.)


Credit: The Perfect Nose

I’d in fact argue that Ms Martin, the lady judge and sewing teacher of Women’s Institute would be more a force for tradition than Mr Grant. Savile Row may be purveyor of the fine tradition of bespoke tailoring, yet it has given us Stella McCartney and Alexander McQueen, neither of whom can be called conservative by any means. Yes, Women’s Institute seems like a more conservative institution to me! OK, I don’t know much about it so I shouldn’t judge. But mention WI I immediately think 50′s Mums and Grans, preservers of family traditions and doing things the old way.

It was in fact Ms Martin who complained about Tilly’s “lack of process” and her blouse not demonstrating enough “processes” compared to Stuart’s – I presume she meant different techniques. Mr Grant at least acknowledged the design flair in Tilly’s blouse.

Which brings me back to why I now appreciate having a designer as a judge on a sewing show. One thing about home sewing that has never been quite satisfying to me is how some garments – even when it’s a copy of high fashion design like Vogue Donna Karan patterns – don’t always look as stylish as the originals. On regular women I’d understand – we don’t all have stylists and fab photographers following us around. But pattern envelopes use models don’t they? So why do they look, erm, excuse my French – frumpy?

I’d love to have a designer point out the difference in cut, you know, the secret ingredient of what Dennic Chunman Lo called a designer’s signature fit in his Pattern Cutting book. So Grant’s comment about the sleeve length of Ann’s first day dress for example. Of course it can be anything Ann wants. But if one is trying to achieve a current design flair, those little tips from the Industry are really interesting.

Which brings me back to another point about the format. I hate the eliminations. Not only because it’s cruel. But also because it means less projects for the judges to feedback on, and less variety of creative solutions to the same challenges to inspire us. (Same with Project Runway / Catwalk – I like the early episodes of each series better. More designs down the runway to get inspired by.)

So now it’s down to the final four. I’ll still be watching the remaining two episodes of the series. Because as Miss P pointed out, if we don’t show support for the show regardless of its shortcomings, then there will be no chance of better ones coming down the tube. Don’t forget your Facebook Likes and your Twitter Followings too!

And don’t forget to check out Tilly’s blog for some interesting tidbits about her experience on the show, as well as interviews with some of the other contestants!

Happy watching tonight!

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